was far as a special feature of the film mentioned above, the background music. But stylistically, the film has much more to offer. Often there are small compounds that make themselves felt. So it is in the first scenes in Morocco two brothers dealing with the task of herding, watch out while in San Diego a nanny to two siblings. While in Mexico the last image of a scene of bloody neck stump of the chicken, is shown in the next scene in Morocco, the wound of Susan. More importantly, the individual image sections. A sign close-up in Mexico, warned on the front of the elevator or Kinderkidnapping will display as Chieko's father moves into the apartment. It looks like the numbers to rise slowly and grows the impression that it is not fast enough. It is produced in such a simple manner and the tension makes the movie from. With simple suggestions to have the audience turn attention to grievances, when a little boy noticed that it was dangerous in Mexico, a deaf girl finds no link, because its counterpart is frightened or just a woman with a bottle of disinfectant is that, while the locals eat with your hands. But here, the film will also be a little too much. Besides the problem of understanding the characters they are also reflected around with prejudice and imposed problems they overload. Chieko's mother has committed suicide that makes her character so vulnerable and pitiable, even though it already has enough problems with their sexuality and their incipient deafness. The father, who was once her husband and now face the "double burden" Occupation and father is what needs to current discussions in Japan, apparently overwhelmed. And the latest threat by terrorists, which is addressed not only by the tourists in the village, but also by the U.S. government, including the commentary of the Moroccan Government for the hasty assessment of the incident through America. Even the small soccer by reference poster on the wall of the brothers in Morocco, should give the guys what to do instead of Ziegenhütens is just too much. Whilst agreeing with one unique look of the film ignores many hints, and only the feeling remains that one is overwhelmed. Nevertheless, the film boasts a picture behind those ideas. The characters are well thought out and have rarely credible in their actions. Particularly impressive here are the brothers, between which there is a strong rivalry because, although younger Yussef developed and precocious. The envy of Ahmed finally explodes in the betrayal of his brother and sister, at the wrong moment of confession on the shot on the bus. As already mentioned the role of Chieko is also embodied outstanding. Your world up to the viewer but is not closed on the suspension of clay and overcharging awareness of colors, in the disco, their hunger for physical intimacy, in little provocation to outdo and rejection by its counterpart, described as impressive that you understand it believes it can.
should also mention Amelia not remain the only really wanted to attend the wedding of her son. Even if the auditorium is closed to why she and the children, put her drunken nephew into the car in time to return to the football game of the siblings to be, destroyed their personal wish her whole life. Even here it is again the images, a woman in a red dress in the desert, almost striking warning and yet helpless. Yet caught the "miserable" lives by her family. Amelia by her son, Chieko by her father, her husband of Susan And only the silence, the inability to talk to each other has brought them here to each other.
Between the confusion generated not only by the unchronologische order of the sequences that are ultimately one, the language barrier and the little things that great cause, one would not stop watching the main actors.
It is a film that deserves its nominations and prices well, and despite the slight overcharge awareness of problems, the frequent contemplation of pay. For open up many little things we overlook as described above or may simply be its meaning immediately. Beautiful, the last scene, Chieko and her father arm in arm on the balcony, a distance of addition, the city where both are no longer identify with the many lights. For ultimately, their fate remains one of many and it goes down like the two in the tangle of many fates. Only when you look closely you can see and listen to people and his cause, and perhaps coming closer together.
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