editing, camera, music
section
The film is dominated by a prominent section. It is transferred from one sequence to the next without a technique the diaphragm. Even the sound announces a new scene. Only from the room of the Moroccan brothers in the scene to Mexico the music sounds already in the preliminary. Usually the "hard" scene change by substantive differences or similarities are attenuated. Moving away from the children in Morocco to the hiding children playing in San Diego. By the panic on the bus in Morocco for exciting volleyball game in Tokyo, etc. Often, the viewer the impression he would look from one person to another through a succession of people shown as they say something, or is spoken to them. Towards the end of the film is the average used as a stylistic device to simulate a Spannungsansteigung, by the sections follow each other faster and faster.
camera
is dominated by a long shot the film on the faces of the actors, the camera movement from the perspective of the actors and the setting that makes an impression of the revolving.
The long shot and close-ups are used to illustrate a situation or at meetings of the respective characters. Even if the phone with Richard Amelia both are shown only up to the middle of the body. On the evening in the hut of Yussef and Ahmed will pass from one face to the next or if Chieko talks to her friends. When it comes to detail, the image sections are shown correspondingly increased. The wound of Susan, see the image on the Hassan Yasujiro, the display in the elevator while it moves up or the approach of the man at Amelia. Is shown an environment where this is done as an entire image in moving form. Mostly these are scenic views, or impressions town. Movements are captured by a still camera that tracks the movements or taken directly from the running along with the camera. The latter is often used in movement of persons. Angles and movement of vehicles, however, are continuous movements were tracked and probably have a camera on rails.
music
is impressive selection of music, an important role in the movie plays. It is always adapted to the respective country and often brings calm to the scene. The music can often immediately identify which country each scene, especially after a change, plays. The selection of the pieces is sometimes adapted to the situation and comprehensively. At the wedding, the musical accompaniment to the opening dance, a reconciliation of all the celebration is to be based, rhythmic and joyful. Instead of words, music comes at the end of the film if they embrace Chieko and her father. Not without the film received the Oscar for best film music. It is consistent with the scene and selected carefully, because they never obtrusive but seems to accompany the film.
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